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  • Writer's pictureAdam Jones - MusicFarmer5
    • 4 days ago
    • 3 min read

Simon Jaglom - "CHRYSANTHEMUMS"

MUSIC FARMER 5 - Review by Adam Jones

Where Trap Meets the Divine: A Sonic Ascension

SIMON JAGLOM’s "CHRYSANTHEMUMS" is a spellbinding fusion of sound and emotion - an experience that captures the listener with its moody, atmospheric depth while pulling them upward toward a feeling of hope. Opening with a hauntingly beautiful piano, the song immediately establishes a cinematic tone, before a shimmering guitar synth floats in, like an ethereal presence swirling overhead, almost as if an angel is descending to join in the moment.


When the trap beat drops, it's as though the song takes flight. The 808s pulse with a gritty, intoxicating groove, while the vocals carry an intensity that is both grounding and electrifying. The lyrics, which explore spiritual themes, add a layer of soulfulness to the track, making it not only musically captivating but emotionally stirring. The chorus, “God is listening, my heart is full,” resonates with an uplifting power that feels universal, as if inviting the listener to embrace both the divine and the mundane in equal measure.


The magic of Jaglom's "CHRYSANTHEMUMS" lies in its ability to transport the listener through multiple dimensions—one moment you’re swaying to the rhythm in a club, the next you’re lost in quiet contemplation. The spiritual undertones, paired with the raw, modern production, create a captivating juxtaposition that feels both timeless and fresh.


As SIMON JAGLOM's "CHRYSANTHEMUMS" progresses, there's an undeniable sense of elevation, as if each note is a step toward something greater. The layers of sound build in a way that feels almost like ascension—starting from the earthbound grit of the trap beat, gradually reaching for the heavens through the sweeping, angelic synths. The spiritual essence of the track is mirrored not only in its lyrics but also in its musical arrangement, which effortlessly blends the rawness of modern electronica with the timelessness of a prayer. It’s a sonic experience that invites introspection, yet pulses with enough energy to make your heart race.

 

The magic of Jaglom's "CHRYSANTHEMUMS" lies in its ability to transport the listener through multiple dimensions—one moment you’re swaying to the rhythm in a club, the next you’re lost in quiet contemplation.

 

By the time the final verse arrives—“I don’t fear death, I don’t fear no-breathing, but I fear not being here for this”—Jaglom has taken us on a journey through the vulnerability of being alive. This final line, paired with the song’s soaring instrumentation, leaves an indelible mark, a reminder to live fully and without hesitation. The album cover, with its image of an angel descending from space into vibrant clouds, only heightens the feeling that this song is an otherworldly celebration of life itself.


SIMON JAGLOM's "CHRYSANTHEMUMS" is not just a song—it’s an experience. Jaglom’s seamless blending of genres and the emotional weight of his lyricism result in something truly special, a track that lingers long after the final notes have faded. Its impact goes beyond just sound; it’s a reminder of the beauty in contrast—the divine and the human, the grounded and the ethereal, all existing together in perfect harmony. Through this unique synthesis, Jaglom creates an experience that speaks to the soul, from here til eternity.


Check out "CHRYSANTHEMUMS" by SIMON JAGLOM below!👇





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